Danielle’s Top 5 List of Carrie’s 2015 Posts

2015-04-01 Laptop2 (640x427)Last year, Carrie and I began a new December tradition, wherein we each choose our five favorite posts of the year, written by the other person. I’m going first! I have to admit, it was a little hard to narrow these down to five. But, to the best of my ability, these are my five favorites that Carrie wrote in 2015. I hope you enjoy them just as much as I did!

Single-Sentence Summary Course – Introduction

Everybody loves Carrie’s brilliant strategies for summing up an entire novel in just one sentence. She opened a new course this year (the posts are all available on the blog!) and this was the first in the series. What is a single-sentence summary? And how do you even begin to know how to write one? Carrie gets you started!

4 Special Features For Your Novel’s Blog or Website

This was one of my favorite ideas Carrie ever introduced me to. We blogger-authors all face that perennial question, “What should I blog about?” Carrie passes along the concept of treating your blog like the “special features” section of a DVD. Here she shares some specific ideas!

Fear of Risk and How it Inhibits Your Writing

Okay, let’s be honest. Authors are a fearful bunch. There’s something massively scary about putting your heart and soul on paper, then – ee-gads! – making it public! And that’s just one of many scary things we have to do. Carrie masterfully turns a simple vignette from the grocery store into an inspiring post on why we stick to situations that are holding us back, instead of doing the brave thing that will push us forward.

Once Upon a Time… A Modern Fairy Tale

Have you been here – stuck at the bottom of the Mountain of Your Dreams and wondering if you’ll ever get to the top? Guess what. So have we all. Sometimes it feels like we’ve tried everything, and there’s no point in going on. If that’s where you are, you should read this post.

7 Steps to Getting Prepared to be Published

It’s not as simple as slapping some words on the page and uploading to Amazon. It’s a competitive world out there, and if you want to make it at all, you need to have your game together! Carrie presents seven must-do steps to give your book a fighting chance.

– – –

That’s it! My favorite five that Carrie wrote this year! Do you have a favorite from our archives? Let us know in the comments!

2015-12-16 Best Posts by Carrie

How to Use the Rule of Three in Children’s Books

2015-09-28 Paper ShipsA guest post by Pamela Hodges 

Originally published at The Write Practice and reprinted with permission.

Interesting things come in threes. There are three little pigs, not four. Three kittens lost their mittens, Goldilocks and the three bears, three musketeers. You might even say “three is a magic number.”

If you’re a writer, especially a children’s book author, you should be using the rule of three in your writing. In this post, we’ll talk about how.

Once upon a time there was a little boy, Frank, who wanted to eat a cookie.  His mother said, “Frank, you cannot have a cookie before lunch.”

For today’s practice, let’s help Frank get his cookie using the rule of three.

What Is the Rule of Three?

2015-09-28 Three Water Drops on LeafThe rule of three is a common storytelling device and rhetorical technique. As a storytelling device, you find it most often in fairy tales, myths, and fables, but it’s common in all forms of literature, poetry, and songwriting.

Here’s what Wikipedia says about the rule of three:

The rule of three… suggests that things that come in threes are inherently funnier, more satisfying, or more effective than other numbers of things.

How does this work practically though?

In our story about Frank and his cookie, Frank has a problem. In classic children’s book format, he will try three times to solve his problem.

On the fourth attempt Frank will finally solve his cookie dilemma.

Why the Rule of Three Helps Create an Engaging Story

2015-09-28 Three MountainsBefore you say, “Hey, Hodges, I read a children’s book once, and they tried four times, or five times, to solve a problem.” I know, I know.

Whenever there is a general rule, someone will deviate from it. The rule of three is a guideline.

If the character with a problem, the protagonist, solves the problem after one attempt, the story would be rather boring, wouldn’t it? Readers want to see conflict, struggle!

Your readers want your protagonist to have to overcome the problem with repeating attempts. Why? Because readers want to identify with someone overcoming a major event, in other words something that is hard, even if it is only to get a cookie out of the pantry when they are not supposed to have any.

Three is a magic number. Yes it is; it’s a magic number. Somewhere in the ancient, mystic trinity you get three as a magic number. —Bob Dorough, School House Rocks

Two makes the set up, and the third closes the triangle.

Example of the Rule of Three: A Mother for Choco

2015-09-28 Mother For ChocoA Mother for Choco by Keiko Kasza is a perfect example of the rule of three.

Choco, like all protagonists, has a problem. He doesn’t know who his mother is. So what does he do? He sets out to find her.

He meets three different animals, a giraffe, a penguin, and a walrus.  He asks each of the three in turn if they are his mother; they all say no.

It isn’t until his his fourth attempt he finds his mother. I won’t tell you who it is, as that would give away the story.

Okay, let’s help Frank get his cookie. Here is the plot outline for Frank Wants a Cookie to show you what I mean. (I just met Frank today as I wrote this post.)

How To Use the Rule of Three to Help Frank Get His Cookie

2015-09-28 CookiesFrank wants a cookie. His mother said he is not allowed to eat any cookies before lunch.

Frank is going to make three attempts to get the cookie from the kitchen. He will get the cookie on the fourth attempt.

Failed Attempt#1. Frank goes in the kitchen, and gets a glass of water. While the water is running, he turns on the trash compactor to hide the noise of the cookie jar. Then he sneaks over to the cookie jar and takes out a cookie. His mother walks in and says, “Frank, no cookies before lunch.” She takes the cookie away from Frank.

Failed Attempt #2. Frank lets the dog out of the backyard. Then runs into his mother’s painting studio. “Mom, the puppy is loose,” he says. “Please go and find her.” As his mother runs out the front door, he runs into the kitchen and takes out a cookie and stuffs it in his pocket.” His mother runs back in the house with the puppy. The puppy sniffs Franks pocket. Then his mother takes the cookie out of his pocket and puts it back in the cookie jar.

Failed Attempt #3. In an attempt to get his mother to leave the house, Frank calls his mother’s cell phone from the house phone, covers his mouth with a handkerchief and says in a deep voice, “Hello, Mrs. Smith, the rosebush you ordered has arrived at the nursery.” The mother notices the telephone number, smiles, and says, “Oh, thank you. I will be right there to pick it up.” She hangs up the phone, goes and gets her son and says, “Come on Frank, the nursery just called. Let’s go and pick up the rosebush I ordered.” Frank goes with his mother to the plant store. He doesn’t get a cookie.

Success! Frank picks flowers from his mother’s garden, goes to the front door, rings the door bell, and asks his mother if she would like to buy flowers. He holds a sign, “Flowers! Cost: one cookie and one hug.” His mother smiles, looks at her watch, and says, “Well, it is lunch time. And I do love flowers.” She goes into the kitchen, gets a cookie, hands it to her son as he gives her the flowers. Then they hug. Frank eats his cookie.

Why the Rule of Three Makes Us Care About Frank’s Story

2015-09-28 Hiker Mountains Hiking SuccessEvery story is about a character who wants something and is willing to go through conflict to get it.

In the story we worked on above, Frank wants a cookie. He wants it so much that he tried three times to get that cookie, each time failing.

The important thing for writers to remember though is that each time he failed we grew to like him a little more. We became a little more engaged in the story. If he had just gotten the cookie on the first try, we wouldn’t have cared nearly as much.

The fourth time, Frank succeeded. And as readers, we’re cheering him on. In fact, after going through each of the failed attempts, it feels a little like we finally succeed.

The same is true for your stories, whether you’re writing children’s books or not. If you let your protagonist get what he or she wants the first time, you’ll lose your readers.

However, if you let your protagonist try and fail using the rule of three, they won’t be able to stop reading.

About the Author

Pamela Hodges

My name is Pamela. Not Pam. The invention of the non-stick spray in 1961 ruined the name Pam for me. I write daily because Seth Godin told me I should. I write about what I see in the world. Let me encourage you with slice of life stories about life, art, creativity and life with four cats, two dogs and seven litter boxes. I promise to never give your email address to my cat. My book, The Artist’s Manifesto, is free at my website before I sell the illustrated version on Amazon this fall.

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From Handcuffs to Keystrokes; My Journey to Becoming a Writer, Part II

2015-04-13 Crime Scene Tape (2)The second part of our guest post by Bradley Nickell, originally published on his blog, Nickell’s Corner.

Brad is a detective with the Las Vegas Metropolitan Police Department. After the top investigation of his career, he realized someone needed to write a book about it. And with no prior writing experience, he realized the only person for the job was him. For the first half of this post, click here: From Handcuffs to Keystrokes; My Journey to Becoming a Writer, Part I

Training Academy

2015-04-13 School Room (2)Many times during my life, I have heard people speak about writing as an art form. I never bought in to that artsy-fartsy idea. “Come on … writers write stuff, they don’t make something that can go in a museum. They don’t paint a masterpiece.” What little did I know.

I worked with professional writer and editor, Andy Meisenheimer, who helped me to better show the readers things with my writing rather than to tell them. Andy helped me see things that needed to stay in the story, and what needed to go. Andy’s a master at bringing pin-point attention and weeding out distraction. At one point, Andy said, “You’re giving me too much frosting and I need more cake.”

With the scenes I had already written and put into the manuscript, they were my babies. I was protective of them and you would never be able to pry them from my hands because some of them were so painstakingly difficult to construct in the first place. Andy helped me learn how to release a lot of that and I was eventually able to pare the manuscript down to about 120,000 words–still a fatty to most publishers.

After telling me how backwards I was by trying to learn how to write in the middle of a huge writing project, Andy suggested, no, he challenged me to start reading a few really good writers, and to watch for their style to emerge, and look for methods they use to draw readers into the story.

I read the Jon Krakauer NY Times Bestselling titles Into the Wild and Under the Banner of HeavenI tore through the true crime classic, The Onion Field by Joseph Wambaugh. I probably learned more about writing from these three books than anything else because I read them with a different eye than I had read anything before. I read them with my eye on the writing, not on the story.

2015-04-13 Books (2)I read a few unpublished manuscripts and advance reading copies from other writers I had met, including William Beck’s Caribbean Agenda, Dane Batty’sWanted: Gentleman Bank Robber, and Julie Dolcemaschio’s Testarossa, and I’m continuing to read today, having finished NY Times Bestsellers Steve Jackson’sBogeyman, and Caitlin Rother’s Twisted Triangle. I’m just now starting Ron Franscell’s Delivered from Evil.

I’ve learned that being a good writer isn’t a destination, it’s a journey. Yeah, that’s cliché, and violates a popular rule to good writing, I know. But it’s true! If I’m going to be a good, no, a great writer, it doesn’t happen with one good book and then it sticks around forever. It’s something that must be nurtured and fed and developed and maintained.

After working with Andy, Chip MacGregor said, “Brad, your writing has caught up with your story.” To me, that was a big deal. From the first day I put words on paper to the day Chip said that was a little over four years. A bonafide gatekeeper welcomed me into the sanctum.

Up to that time, I had rewritten or massively overhauled my manuscript close to twenty times. I learned very clearly, that writing is an art; it’s like sculpting. A writer starts with a big block of material, and slowly molds and cuts and peels and scrapes away. A writer patches and smoothens, flattens and straightens. A writer takes something that had no form or hope of being interesting, and shapes it into something that builds a pathway into the imagination of the reader. If successful, the writer might even get more one-on-one time out of a reader than the reader gives to his or her family – sad to say, but true and very weighty.

At that point, the manuscript wasn’t done, it had only graduated into a class where it had promise. I worked with professional writer and editor, Holly Lorincz, to put the final layers of polish on and really bring the best work forward. Holly did a really good line edit on the manuscript and provided good information for me to work on character development as well. By the end of our collaboration, the manuscript had been winnowed down to about 106,000 words.

Public Relations

file0001168789062Something I didn’t tell you is, having a good story and good writing are only two of three things a publisher looks for when considering a writer’s work. The third element is platform. I had questions to ask myself: “Why would anyone pick me, an unknown, out of the crowd of writers to read?” “What makes me an expert on what I’m writing about?” and “What makes my writing stand apart?” If a writer has two of the three things publishers look for – good story, good writing, and platform – they stand a decent chance of getting published. If they have all three, the chances rise enormously.

To get an audience, or to have a platform, people need to know who you are and why they should read what you say. As I wrote the manuscript for Repeat Offender, in 2009, I began developing a presence as a writer on social media, my own website and as of a couple months ago, I started my own blog.

I developed good relationships with the editors of a few national law enforcement magazines and I’ve written full-length features for them. I’m recognized as a contributor to POLICE Magazine and American COP Magazine, both of which have a heavy footprint in the law enforcement world with digital and print versions reaching tens of thousands of paid subscribers and hundreds of thousands of web readers.

Sworn In

2015-04-13 Police (2)Chip and I spent the past two years trying to get the book a publishing contract with one of the few remaining major publishers, or one of their imprints, and it has been tough. Chip isn’t accustomed to rejection much anymore because he’s experienced and known in the industry as top-notch. When Chip brings something to the table, it usually finds a publisher. But the book industry is still experiencing great turmoil with massive brick-and-mortar international chains like Borders and Waldenbooks going out of business. Unless you’re already famous or have an exclusive Bin Laden story, getting a contract with a major publishing house is next to impossible right now, especially for a first-time author.

Even further difficulty is added when you understand that the true crime genre is hurting. True crime fans are spending their time watching any of the many true crime shows on television. There are entire cable networks focused on bringing true crime shows to this group of people that used to read books more. Even some of the more famous true crime writers are struggling to sell their books. If you’re not at the top of that pile, major publishers are seeing more risk than they’re willing to take.

After a dozen publishers declined to offer a contract, Chip approached an old friend, NY Times Bestseller Steve Jackson. Yes, that’s the same Steve Jackson I mentioned before. Steve had started up his own independent press, WildBlue Press, with his longtime friend and partner, Michael Cordova.

WildBlue Press has put together a consortium of experienced, award-winning, and best-selling authors who will be publishing their works out from under the difficult and sometimes unrewarding umbrella of big publishing houses. Big publishers want almost all control and aren’t always the best at sharing the fruits of the labor. WildBlue Press has a vision to break the mold that the big publishers try to force writers into and become a trendsetter in the new age of publishing, where the relationship between publisher and writer is more of a partnership.

To make a long story short, WildBlue Press has agreed to take me on as one of their first “rising stars” (their term, not mine). We have signed a contract and Repeat Offender will be published April 14th, 2015. You can pre-order your own digital copy for Kindle here.

Advice for Rookies

2015-04-13 Police (3)The takeaway from this post is two-fold: first, if you’ve ever had an interest in writing, but don’t think you’ve got what it takes, start writing anyway, and make a plan on how to get better. I’ve offered a few really good examples, such as read everything you can get your hands on, and work with other writing professionals. Second, never give up on your plan. You can modify it, put it on hold, change directions, but never just give up. If you really want to be a writer, it’s probably not because you thought you’d get rich. It’s because you have a passion for something and want to share that with others. Don’t go twenty years and say, “I wish I would have written that book.”

About the Author

2015-04-06 Bradley NickellOut of high school, Bradley Nickell spent almost four years in the United States Air Force, working on the super-secret SR-71 and U2 spy planes. in the last two years of his military service, Bradley also worked as a Reserve Police Officer in Marysville, California. In 1992, Bradley joined the Las Vegas Metropolitan Police Department and was promoted to detective in 1999. For the past sixteen years, Bradley has been assigned to the Repeat Offender Program, specializing in identifying, catching, and helping convict career criminals who prey on the citizens of Southern Nevada. Although still a police detective, Bradley is a credentialed member of the press and has written several law enforcement-themed features for both American COP Magazine and POLICE Magazine. Bradley has been interviewed on TruTV (formerly Court TV) as a subject matter expert and was a key speaker at the Fifth Annual LeadsOnline ® Law Enforcement Leadership Conference (2012). Bradley’s debut true-crime thriller, REPEAT OFFENDER, is being released by WildBlue Press on 04/14/15.

Website | FacebookTwitter | Google Plus | LinkedIn | Amazon Author Page

About His Book

2015-04-06 Bradley Nickell, Repeat OffenderMillions in stolen property, revolting sex crimes and murder-for-hire were all in the mix for a Las Vegas police detective as he toiled to take Sin City’s most prolific criminal off the streets for good.

Las Vegas Police Detective Bradley Nickell brings you the inside scoop on the investigation of the most prolific repeat offender Las Vegas has ever known.

Daimon Monroe looked like an average guy raising a family with his diffident schoolteacher girlfriend. But just below the surface, you’ll learn he was an accomplished thief with an uncontrollable lust for excess. His criminal mind had no bounds—he was capable of anything given the proper circumstances.

You will be revolted by Monroe’s amassed wealth through thievery, his plot to kill Detective Nickell, a judge and a prosecutor, and the physical and sexual abuse to which Monroe subjected his daughters.

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From Handcuffs to Keystrokes; My Journey to Becoming a Writer, Part I

Guest post by Bradley Nickell, originally published on his blog, Nickell’s Corner

A Cop, Not a Writer

2015-04-06 Police CarHave you ever wanted to be a writer? If you’re like I was before 2008, your answer is no. From childhood forward, the only thing I wanted to do with my life was to be a policeman. But I already told some of that story in a previous post. I never wanted to be a writer; I didn’t even read books much unless I had to for school or something. I have always just wanted to be a cop.

In 2008, I had been a police officer in Las Vegas for sixteen years, nine of those as a detective. I was working as a detective in a unit called the Repeat Offender Program. We deal with the worst criminals Las Vegas has to offer. I lead an investigation into the most prolific criminal I had ever encountered, Daimon Monroe. The investigation led to the recovery of several millions in stolen property, and the seizure of several hundreds of thousands of dollars in bank accounts. Information also came to light showing that Monroe had sexually abused his daughters. Many unpredictable things that happened during the investigation, including the shocking discovery that Monroe was trying to have me, a judge and a prosecutor murdered. No cop I know had ever seen anything like it.

After these events took place, I knew someone needed to write a book and tell the public about it. The local news media and even some regional outlets picked the story up, but they didn’t have the inside scoop like I did. They hadn’t been there to witness and live through every important detail. I spoke with my father-in-law, a university professor, who suggested the person to write a book about it should be me.

At first blush, I laughed. How silly. I didn’t know a thing about writing a book. I had some writing ability and some formal training back during my college days, but to write a book? – that’s an entirely different thing. Do you know how many books get written, bought and read through the first couple of chapters only, never to be picked up again?For me, I try to do things that have purpose. I am always seeking purpose in things and try to live deliberately. I’m probably too serious most of the time and need to lighten up a bit. But what’s the purpose of writing a book that doesn’t keep readers up late with the reading light on? I knew I didn’t have that kind of writing skill, but I also knew there was no possible way anyone could write the story like I could – I was the lead detective with a birds-eye view.

Becoming Both a Cop and a Writer

2015-04-06 DeskAfter praying about it for a few days, it came down to one remaining question: why? If I wrote this book, what would be my motivation? What did I want out of it?Funny enough, the answer then and still today has nothing to do with financial gain, prestige, or anything centered around me. No, my motivation is to tell people a harrowing and very personal story of greed, lust for power, horror, justice, love and redemption. It’s something where I think readers will find a few parallels with their own lives that bring meaning and understanding, maybe even in the midst of hardship and destruction.

I’m not chasing dollars with my writing and that’s a good thing. Many writers who do it full-time, struggle to keep their bills paid – it’s a tough business unless they’re one of the most popular in their genre. I have the luxury of doing it not to pay bills, but because there’s passion. If my writing makes a few bucks, great – I like paying bills. But the more important thing with success would hopefully be that large numbers of people read the story, found the takeaway, and found it meaningful for their own lives.After coming to that understanding, it wasn’t a decision anymore, I couldn’t not write the book. It was a commitment that despite some really difficult times where I wanted to quit, I couldn’t.

In Pursuit of the Subject: First Draft

2015-04-06 NotepadI began by writing down everything I knew about the case. Every little detail went into what a few months later ended up a 186,000 word, first-draft manuscript. For those that don’t write, just know that’s a monster. Depending upon font and page size, that would be somewhere around a 500-page book. Those don’t get published much anymore and even fewer get read. One thing quickly emerged: there was no doubt that the title of the book would be Repeat Offender.When a writer is preparing to write a book, especially a non-fiction book, an enormous amount of research must be done to present a factual account of the subject. That wasn’t terribly difficult. I had lived and toiled through the entire story line. But in fact, there was so much information, I had forgotten a lot of the details in the case. I made public records requests through the courts to get old documents – many of them I had written myself – to refresh my memory of how events took place. In the end, the research and writing of the manuscript made me a better witness in court, because my memory was organized and reinforced.

At the same time, I began to read everything I could get my hands on about the publishing industry – how it works, what the different entities are and how they function. I bought The Complete Idiot’s Guide to Getting Published, 4th Editionand read it in two days. Google provided a wealth of material about ghostwriters, literary agents, editors, publishers, and thankfully, a long list of scams in the industry where predators lurk, waiting to cash in on new writers trying to learn the ropes. I learned to watch out for some publishers and ghostwriters who want a fat check from the writer before they do their jobs and never really put much skin in the game.

From there, I began to grow and understand what the writing industry looked like behind the curtain – what it takes to go from an idea to a bookshelf. It exposed me to what the advent of e-publishing and the explosion of self publishing has done to the book industry. I also learned how difficult the prospect of having any real success with self publishing is.Hundreds of thousands of self published titles hit the industry each year, many of them good, but many more of them not so good. The traditional publishing industry has some natural obstacles in place – such as literary agents who operate as freelance gatekeepers to the publishing houses – that prevent undeveloped writing from being published. The self publishing industry has no such obstacles, which brings about overpopulation and an expected result: great writing can easily get lost in the ocean of self published works.

I quickly recognized that my writing wasn’t good enough. I wrote with good grammar, punctuation, organization and pace, but some of the most important parts of good writing weren’t there. My manuscript was one big, long, boring, newspaper article devoid of emotion, drama, tension and release, no real character development, no feelings and no emotional investment from the reader. If the reader wasn’t someone already invested in the story or a personal friend or relative of mine, they probably wouldn’t read it past the first few chapters.

Readers give writers the keys to their imaginations, their dreams, and their fears. They expect us to not disappoint them. As a writer, if you disappoint a reader just one time, you stand a good chance to have lost them for good.When some readers want to get away from the crushing reality of their own lives, they turn to their favorite writer to build an escape hatch that leads to a place where they feel unbothered by their troubles. That’s a pretty heavy responsibility to take on. I want to be the writer who has people staying up late at night to get one more chapter in while their spouse tells them to turn the lamp out. As a writing mentor once said to me, “I want them to smile when I want them to smile. And I want them to cry when I want them to cry.”

Field Training Officers

2015-04-06 apple dictionaryI enlisted the help of a co-author, Warren Jamison, who operated as a backstop, an editor, and a writing coach. I continued to grow and learn how to work with plot, pitch, theme, premise, dramatic tension, foreshadowing, conflict, dialogue, and the return (proof to the reader that finishing the story was worth it). I wrote and Warren edited. I wrote and I edited. I wrote and wrote and rewrote. And I learned.After the second rewrite of my manuscript, I was introduced by a friend of a friend to a well-respected literary agent with a tough reputation, Chip MacGregor. I gave Chip a synopsis of the story behind Repeat Offender, and a couple of sample chapters.From day one, Chip said, “You’ve got a great story there Brad, but the writing needs work.” He gave a few pointers, wished me luck, and probably figured that would be the end of it; he probably thought I wasn’t determined to see it to the end. Writing … really writing for public consumption is a difficult thing to do and even harder to do well. Rejection is a common occurrence, but by this time, I had begun developing a passion for it. Rejection became fuel to get better. I had something to prove to myself.

The second part of Brad’s story will appear next week, on Monday, April 13th, 2015. You can check in again, subscribe to our blog posts, or hop on over to Brad’s website for the rest of the story. 

About the Author

2015-04-06 Bradley NickellOut of high school, Bradley Nickell spent almost four years in the United States Air Force, working on the super-secret SR-71 and U2 spy planes. in the last two years of his military service, Bradley also worked as a Reserve Police Officer in Marysville, California. In 1992, Bradley joined the Las Vegas Metropolitan Police Department and was promoted to detective in 1999. For the past sixteen years, Bradley has been assigned to the Repeat Offender Program, specializing in identifying, catching, and helping convict career criminals who prey on the citizens of Southern Nevada. Although still a police detective, Bradley is a credentialed member of the press and has written several law enforcement-themed features for both American COP Magazine and POLICE Magazine. Bradley has been interviewed on TruTV (formerly Court TV) as a subject matter expert and was a key speaker at the Fifth Annual LeadsOnline ® Law Enforcement Leadership Conference (2012). Bradley’s debut true-crime thriller, REPEAT OFFENDER, is being released by WildBlue Press on 04/14/15.

Website | FacebookTwitter | Google Plus | LinkedIn | Amazon Author Page

About His Book

2015-04-06 Bradley Nickell, Repeat OffenderMillions in stolen property, revolting sex crimes and murder-for-hire were all in the mix for a Las Vegas police detective as he toiled to take Sin City’s most prolific criminal off the streets for good.

Las Vegas Police Detective Bradley Nickell brings you the inside scoop on the investigation of the most prolific repeat offender Las Vegas has ever known.

Daimon Monroe looked like an average guy raising a family with his diffident schoolteacher girlfriend. But just below the surface, you’ll learn he was an accomplished thief with an uncontrollable lust for excess. His criminal mind had no bounds—he was capable of anything given the proper circumstances.

You will be revolted by Monroe’s amassed wealth through thievery, his plot to kill Detective Nickell, a judge and a prosecutor, and the physical and sexual abuse to which Monroe subjected his daughters.

Amazon | Facebook